Showing posts with label Balsam. Show all posts
Showing posts with label Balsam. Show all posts

Monday, July 27, 2026

Soñador

 


Anthony Asher-Yates’ "Deep Dream Folk" album *Madre, Llena De Amor!“ - released just a few weeks ago— is a heartfelt exploration of the essence of Mother Earth.

Following in the tradition of artists like Devendra Banhart, José González, and David Pajo, the album reflects experiences of love, grief, loss, and personal growth.


His latest album, *Soñador“ - released on Le Mont Analogue and serving as a form of balm—addresses A.A. Yates’ experiences with healing through music, encounters with plant medicine, and attempts to process the traces of childhood violence. It, too, can be understood as a deeply personal work and an invitation, carrying the hope that his music will reach the quiet, painful places within others and perhaps inspire them to embark on their own journeys toward wholeness.





„ 'Soñador' (Dreamer) is a deeply personal album reflecting Bålsam's decade-long journey in the jungles of Colombia. It explores healing through music, experiences with plant medicines, and the impact of childhood bullying. Key themes include a profound connection with someone during a time of loss and discovering new ways to express himself. The album features heartfelt contributions, including a voice message from his mother and a track with his 5-year-old daughter. Sharing a part of his soul in hopes it resonates and inspires others on their own journeys.


The jungle does not whisper; it sings. A chorus of cicadas, the rustle of unseen creatures, the distant rush of the river—it was a symphony that found its way into the marrow of his bones. For many years, Anthony lived within that green cathedral, not as a visitor, but as a student. The humid air carried more than the scent of damp earth and blooming orchids; it carried the ancient wisdom of the Shamans and Medicine Women who became his guides, and the quiet dignity of communities who taught him that healing is not a destination, but a rhythm, a pulse in sync with the earth itself.


This album, *Soñador*, is the map of that internal terrain. It began not with a melody, but with a silence—the hollow echo of childhood taunts that had followed him even into the wilderness. The journey was to excavate those buried hurts, not with a shovel, but with the gentle, terrifying tools of plant medicines and vulnerable conversation. He learned that to truly feel the jungle’s song, he first had to listen to the broken notes within.


The most profound connection came during a time of deep personal loss. In the shared space of grief with another, he discovered a language beyond words—a communion of spirits that taught him new ways to express the inexpressible. This experience became the heartwood of the album, a testament to how love and loss can carve channels for grace to flow through.


*Soñador* is woven with voices that are chapters of his soul. There is a track, raw and trembling, that features his five-year-old daughter’s voice—a sound pure and unburdened, a future he is healing for. And then, there is his mother’s voice. A simple voice message, played straight, without adornment. In it, she speaks truths held for a lifetime, words of familial patterns and silent pains finally given air. Her voice, cracking with age and courage, does not just accompany his healing; it announces her own. It is the sound of a chain breaking.


Bålsam has stepped fully into his vulnerability. The man who once might have armored himself with volume now trusts the power of a whisper, the strength in a tremolo. This album is that courage made audible. It is not a performance; it is an offering—a significant piece of his soul pressed into digital form. 


He sends *Soñador* out into the world not as a finished lesson, but as a shared campfire. He hopes its melodies find the quiet, hurting places in others and sit with them. He hopes the rhythm of his journey might encourage a single listener to begin their own, to listen to their own jungle, their own heart, and to dare to dream of wholeness. For the dreamer, he has learned, is not one who escapes reality, but one who is brave enough to reshape it from the inside out. 


Bandcamp / le Mont analogue





released June 26, 2026


All tracks produced by Anthony Asher-Yates.

Audio mastering by Tom Lievens.

Cover art design by Anthony Asher-Yates.





Friday, May 2, 2025

New Nature


 

Already deep into the new year, my favorite month, May, is just beginning to do the things that come with May. We're just a week back from Japan, still euphoric about what we've experienced, still suffering from slight jet lag, and I'm taking another step back. I'm still not quite done with 2024, although there have been far worse years in terms of personal disasters, it was still a somewhat difficult year.

But, Last year ended on a positive note, thanks to some very good releases. This is one of them: the fantastic Balsam release "New Nature." 


it works and works and works. Also in may 2025.




New Nature could just as easily have been released on Anthony Asher Yates' own imprint, Atlantea Records, like several Balsam releases before it, but Global Pattern is just as reliable a haven here, and Tim Six is ​​the perfect co-pilot for rough terrain. 35 minutes of new-age nature diving. I'll be back on this boat again and again, and the scenery never gets boring.


New Nature is a perspective on our ever Evolving climate.


released December 1, 2024


All music by Antony Asher-Yates. Mastered by Tim Six


Artwork, design & layout by Tim Six


File under : Ambient I New Age I Nature


Sunday, November 10, 2024

Café a la Cardamome


 

In times like these, ambient music is never a bad idea about hatred, hecticness 

and racing hearts not to let it come into play in the first place.

Ambient music is actually always a musical companion in my life,

And the term is also flexible. But that's probably something like a pill box for on the go. 

Just much healthier.


Atlantea Records are Tom Lievens and Anthony Asher Yates.

Both of them have been making my world a better world with their projects Atmosphere and Balsam for years. The fact that Vladimir Karpov (or Xram Yedinennogo Razmuwlenuja, based on a novella by Nikolai Gogol published in 1842), who I also admire very much and is busy, recently became a member of the Atlantea Family makes sense and was perhaps even overdue. 


A release with track names like “Café a la Cardamome”, “Blue Lagoon”, or “Coconut Pickers”  

is very likeable and interesting per se. A Volume 1 in the title name also suggests a subsequent release. The album is full of X.Y.R. References from previous releases,

Compiled here from a different, but not entirely new, perspective.

Fruity Loops. Sit back and enjoy.




„such a beautiful album from the very first notes. very well crafted with a lot of details and with big care to the every sound. you may think that this album is already exist in your memory because a lot of sounds you already listened possibly every day and it works pretty well, because your brain thinks that it's just another day in your life and when it's over then you press repeat because the day was great „

  • Go4awalk Music -



Music by Xram Yedinennogo Razmuwlenuja 

Audio mastering by Tom Lievens 

Cover artwork by Anthony Asher-Yates




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