Friday, July 31, 2026

Temple Ritual/Floating Jungle : Live at the Mystic Palace

 


Two other noteworthy releases from the Wave Temples circle appeared on Spotted Locales last year; they navigate the same oceans Wave Temples has already explored and traverse nature paths similar to those of Fluorescent Heights and Lieven Martens (with Dolphins into the Future).





„After a string of acclaimed releases on Not Not Fun and Possible Motive – mysterious Florida musician Wave Temples unveils a new label and private press, Spotted Locales.

The imprint launches with a cassette release from Miami’s Justice A. Gonzalez (‘The Gecko’) and a 7″ & cassette from the Wave Temples-adjacent Live at the Mystic Palace, ‘Temple Ritual/Floating Jungle’.

A longtime member of the Florida underground noise community, Wave Temples has a lengthy discography dedicated to preserving a sonic ethnography of sea-faring cultures, hidden jungle civilizations, and ancient star-maps.






Between 2011 – 2015, they helmed Rainbow Pyramid, a mind-melting label that showcased experimental tapes from the Sunshine State and beyond. Early releases from the artists behind Akasha System and Severed+Said are among the dozens of stellar musicians that have graced the Rainbow Pyramid discography.

The new venture kicks off with Live at the Mystic Palace and the 7-inch/cassette bundle ‘Temple Ritual/Floating Jungle’. As is customary with the label owner, there’s no detail on who’s behind the project, but it’s safe to assume Wave Temples had a hand in its creation.

The set features the artist’s trademark humid ambient with touches of noise experimentation. In the blink of an eye it progresses from gentle tropical exotica to an exploratory fever dream.“

  • Inverted Audio -





Thursday, July 30, 2026

Odyssey

 


This is music of forgotten shores, sea air, and saltwater shrines, echoing in shells scattered across the altars of Atlantis“


Last November, I stumbled upon Wave Temples' new EP—which, unlike previous releases, was available only digitally—more or less by chance, and I hoped for a physical release. Well, my hopes have been more than fulfilled: for the past few weeks, the *Odyssey* EP has been available on cassette and 7-inch vinyl.





„The Odyssey EP is a living map, guiding your attention deep into a forgotten landscape...This recording exists somewhere at the intersection of drone, field recordings, and new age...As you listen, you submerge into a realm where civilization has retreated before the force of nature...Do you hear it? The rustle of mangroves, the cries of birds, the lapping of water - a hypnotic dialogue and the call of the sirens...The sound erects ancient temples out of the water itself...This is an Odyssey not so much across the ocean to distant lands, but through time, memory, and resonance toward your own personal Ithaca... " - Amateur Exotic








Monday, July 27, 2026

Soñador

 


Anthony Asher-Yates’ "Deep Dream Folk" album *Madre, Llena De Amor!“ - released just a few weeks ago— is a heartfelt exploration of the essence of Mother Earth.

Following in the tradition of artists like Devendra Banhart, José González, and David Pajo, the album reflects experiences of love, grief, loss, and personal growth.


His latest album, *Soñador“ - released on Le Mont Analogue and serving as a form of balm—addresses A.A. Yates’ experiences with healing through music, encounters with plant medicine, and attempts to process the traces of childhood violence. It, too, can be understood as a deeply personal work and an invitation, carrying the hope that his music will reach the quiet, painful places within others and perhaps inspire them to embark on their own journeys toward wholeness.





 'Soñador' (Dreamer) is a deeply personal album reflecting Bålsam's decade-long journey in the jungles of Colombia. It explores healing through music, experiences with plant medicines, and the impact of childhood bullying. Key themes include a profound connection with someone during a time of loss and discovering new ways to express himself. The album features heartfelt contributions, including a voice message from his mother and a track with his 5-year-old daughter. Sharing a part of his soul in hopes it resonates and inspires others on their own journeys.


The jungle does not whisper; it sings. A chorus of cicadas, the rustle of unseen creatures, the distant rush of the river—it was a symphony that found its way into the marrow of his bones. For many years, Anthony lived within that green cathedral, not as a visitor, but as a student. The humid air carried more than the scent of damp earth and blooming orchids; it carried the ancient wisdom of the Shamans and Medicine Women who became his guides, and the quiet dignity of communities who taught him that healing is not a destination, but a rhythm, a pulse in sync with the earth itself.


This album, *Soñador*, is the map of that internal terrain. It began not with a melody, but with a silence—the hollow echo of childhood taunts that had followed him even into the wilderness. The journey was to excavate those buried hurts, not with a shovel, but with the gentle, terrifying tools of plant medicines and vulnerable conversation. He learned that to truly feel the jungle’s song, he first had to listen to the broken notes within.


The most profound connection came during a time of deep personal loss. In the shared space of grief with another, he discovered a language beyond words—a communion of spirits that taught him new ways to express the inexpressible. This experience became the heartwood of the album, a testament to how love and loss can carve channels for grace to flow through.


*Soñador* is woven with voices that are chapters of his soul. There is a track, raw and trembling, that features his five-year-old daughter’s voice—a sound pure and unburdened, a future he is healing for. And then, there is his mother’s voice. A simple voice message, played straight, without adornment. In it, she speaks truths held for a lifetime, words of familial patterns and silent pains finally given air. Her voice, cracking with age and courage, does not just accompany his healing; it announces her own. It is the sound of a chain breaking.


Bålsam has stepped fully into his vulnerability. The man who once might have armored himself with volume now trusts the power of a whisper, the strength in a tremolo. This album is that courage made audible. It is not a performance; it is an offering—a significant piece of his soul pressed into digital form. 


He sends *Soñador* out into the world not as a finished lesson, but as a shared campfire. He hopes its melodies find the quiet, hurting places in others and sit with them. He hopes the rhythm of his journey might encourage a single listener to begin their own, to listen to their own jungle, their own heart, and to dare to dream of wholeness. For the dreamer, he has learned, is not one who escapes reality, but one who is brave enough to reshape it from the inside out. 


Bandcamp / le Mont analogue





released June 26, 2026


All tracks produced by Anthony Asher-Yates.

Audio mastering by Tom Lievens.

Cover art design by Anthony Asher-Yates.





Saturday, February 28, 2026

Amazonia

 



Five years ago, Jean-Michel Jarre's "Amazonia" was released (really? Has it really been five years already...?). An album that fascinated me, and above all, it wasn't something I had expected. After the Oxygene rave reviews of my early teens, Zoolook in the mid-eighties was the last truly great album, or at least that's how I saw it. For me, it was time to explore other musical territories. And then came "Amazonia."



And now, five years later, I'm traveling to Cologne to visit the wonderful exhibition by the late Sebastião Salgado. In my youth, I never went to an exhibition without my Walkman. Music always served to guide and regulate my sensations and feelings, to sharpen my senses and intensify the experience. A kind of natural drug.



At the Amazonia exhibition, a Walkman 3.0 isn't necessary. Jarre's sounds ensure that the jungle truly feels close. Highly recommended.


(Until mid-March at the Rautenstrauch-Joest-Museum in Cologne).



„I have never been to the Amazon rainforest, yet I know it, those mighty lungs on which the planet, in which we, depend, that verdant El Dorado, the dominion of all fantasy, of all extremes, of Herzog's Aguirre and Fitzcarraldo. At once familiar and mysterious, tranquil and troubling, fearsome and fragile... A drug as addictive as it can be lethal. The forests of Sebastião Salgado.

A bird trills, wind whispers in the treetops, passing men sing and squabble, women bathe, a storm rumbles, a plane flies overhead, rain falls on stone: these serendipitous sounds, though unschooled by orchestration or any form of arrangement, create a global harmony: the music of the forest.

And deep in the Amazon rainforests there is a spirit of nomadism, the moving from place to place, from shadow into light, from quiet stillness to brooding menace, pressing on we leave reality behind and plunge into the potent force of rituals and reveries.“

( words from J.M.Jarre‘s Amazonia Double Vinyl)






Thursday, February 12, 2026

Altered Zone

 



X.Y.R.'s "Altered Zone" was my favorite on last year's cassette compilation from the Slovenian label Zonned.

( „The result is a stunning journey through diverse sounds—whether rhythmic or beatless, droney, dreamy, or experimental—all unified by their deeply immersive quality.“). Naturally.





Vladimir Karpov has now largely removed the vocal samples from the nearly 10-minute piece and created a half-hour atmospheric meditation, full of flutey, flurrying, floating, and dreamy sounds. The field recordings ensure that we become part of this spectacle, and of course, a few birds make an appearance.


The mood is dreamy, and you have 30 minutes to briefly forget your worries and everyday life, which we should always, truly always, love and embrace. Because, in reality, there's always something going on, and that should still bring us joy.


Afterwards, you're reconciled with everything around you and with yourself for a short time. However, there's a strong temptation to press the repeat button again and again until the sun disappears over the horizon.


Oh, and let's listen to Les Halles again.





Written, Produced and Recorded by Vladimir Karpov at home studio in Alexandrovskaya, St. Petersburg, using synths: Korg M1, Maestro, Boss pedal effects, percussion and field recordings.




Wednesday, February 11, 2026

New Age for Old Worlds



In recent months, actually the entire last year, I've hardly posted any new music, for reasons that LIFE throws our way. But that doesn't mean there isn't still wonderful music out there. Wonderful music that often brings tears to my eyes with its beauty.


Tracks and pieces that I repeat over and over again…


Now, a whole album full of beautiful ambient/Balearic/New Age tracks has been released on the Portuguese label Secrets of Sound, and it makes the admittedly traditionally gray, cold (though not so traditional) month of January seem a little less gray. A perfect soundtrack for lying down and, if you like, wrapping yourself in a shag rug. An incense stick is also included with the album, setting the tone even before you've heard it. Having to flip the vinyl after four tracks might be a bit annoying if you're feeling really far away. But you can't have everything.


Great release!


feat. Jon Tye‘s Ocean Moon / Mark Barrott / Earthtones / Alex Albrecht / Lord of the Isles ….and and…





An antidote for chaotic times, this collection of ambient pieces gathers the masters of the genre for a journey designed for calm, clarity and consciousness. All corners of New Age are explored here with a spoken word intro from Jaroslav Kovaracek, host of long running ambient radio program “Dreamtime” that aired in Australia from the early 80s into the mid 90s.

credits

released January 19, 2026





Compiled, art / design by Kane Banner. All tracks mastered by Salz Music, Cologne Germany.

Spoken word intro/outro by Jaroslav Kovaricek — this album is dedicated to him and his radio program Dreamtime of ABC Australia.

All rights reserved : Secrets Of Sound, Lisboa, Portugal.


File under Ambient / New Age



Sunday, October 5, 2025

Once was ours Forever




 

A changeable September can't really bring hope for a mild October to life, and current night temperatures of 2 degrees Celsius really only mean one thing: summer is definitely over.

It's the same for me every year: summer is preparing its demise, September, and sometimes October, give us days with 20 degrees Celsius and more here and there, the air is once again incredibly mild, and you can see me wandering around with a melancholy look and a somewhat uncertain mood, always searching for one last ray of sunshine.


On Jonny Nash's "Once Was Ours Forever" (and also on its predecessor, "Point of Entry"), nothing reminds one of the wonderful ambient album "Eden" or even the more experimental "Fauna Mapping." Jonny Nash has many very beautiful albums of various kinds in his CV. This is no different with his last two albums. And even though his albums have often sounded different over the years, when the needle hits the turntable, one thing is certain: a good time is in store.


With "Once Was Ours Forever" & "Point of Entry," Jonny has created the perfect late summer soundtrack for me. Which isn't to say that this music can't also welcome spring. And no one will knock the record out of your hand if you think of listening to it while a slow snowfall colors the landscape outside your window.

Well, what am I actually trying to say?

Wonderful music, Jonny, and thanks again for the vinyl gift (that's another story)!!




Netherlands-based artist Jonny Nash returns to Melody As Truth with his new solo album, ‘Once Was Ours Forever.’ Building on 2023’s ‘Point Of Entry,’ this collection of eleven compositions draws us further into Nash’s immersive, slowly expanding world, effortlessly connecting the dots somewhere between folk, ambient jazz and dreampop.

While ‘Point Of Entry’ was characterised by it’s laid-back, daytime ambience, ‘Once Was Ours Forever’ arrives wrapped in shades of dusk and hazy light, unfolding like a slow-moving sunset. Built from layers of gentle fingerpicked guitar, textural brush strokes, floating melodies and reverb-soaked vocals, moments come and go, fleeting and ephemeral. 

From the cosmic Americana of ‘Bright Belief’ to the lush, layered shoegaze textures of ‘The Way Things Looked’, Nash’s versatile guitar playing lies at the heart of this album, gently supported by a cast of collaborators who each add their unique touches. Canadian ambient jazz saxophonist Joseph Shabason makes a return appearance, providing his delicate swells to ‘Angel.’ Saxophone is also provided by Shoei Ikeda (Maya Ongaku), cello by Tomo Katsurada (ex-Kikagaku Moyo) and Tokyo acid folk artist Satomimagae (RVNG) lends her haunting multilayered vocals to ‘Rain Song.’

As with much of Nash’s work, ‘Once Was Ours Forever’ deftly finds an equilibrium between softness and weight, offering the listener ample space to interpret and inhabit the music on their own terms. Through his uncanny ability to blend the pastoral and the profound, the idyllic and the insightful, ‘Once Was Ours Forever’ arrives as a tender and understated offering, infused with warmth and compassion.
  

credits

released July 4, 2025

Written, Performed and Produced by Jonny Nash
Vocals on Rain Song by Satomimagae
Cello on Holy Moment by Tomo Katsurada
Saxophone on Dusk Can Dance by Shoei Ikeda
Saxohphone on Angel by Joseph Shabason

Mastered by Stephan Matheiu

Artwork by Denise Gons
Design by Michael Willis


Temple Ritual/Floating Jungle : Live at the Mystic Palace

  Two other noteworthy releases from the Wave Temples circle appeared on Spotted Locales last year; they navigate the same oceans Wave Templ...